Art Is Not a Thing It Is a Way Meaning
After the recent omnibus of definitions of scientific discipline past some of history'southward greatest minds and definitions of philosophy past some of today'south most prominent philosophers, why not turn to an arguably even more nebulous domain of humanity? Gathered here are some of my favorite definitions of fine art, from artifact to today.
Henry James in his short story The Centre Years:
We piece of work in the dark — we practise what we tin can — we give what we accept. Our dubiousness is our passion and our passion is our job. The rest is the madness of fine art.
Leo Tolstoy, in his essay "What Is Art?":
Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which human being lets off his excess of stored-up free energy; information technology is not the expression of human being'due south emotions past external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but information technology is a means of wedlock among men, joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity.
Frank Lloyd Wright, writing in 1957, equally cited in Frank Lloyd Wright on Architecture, Nature, and the Human Spirit: A Collection of Quotations:
Art is a discovery and development of unproblematic principles of nature into beautiful forms suitable for human use.
Steven Pressfield in The War of Art, one of 5 essential books on fearfulness and the artistic process:
To labor in the arts for any reason other than beloved is prostitution.
Charles Eames, cited in the fantastic 100 Quotes by Charles Eames:
Art resides in the quality of doing; process is non magic.
Elbert Hubbard in a 1908 book of Little Journeys to the Homes of Neat Teachers:
Art is not a affair — information technology is a way.
Oscar Wilde in The Soul of Man Under Socialism:
Art is the most intense mode of individualism that the globe has known.
Thomas Merton in No Man Is An Island:
Art enables the states to detect ourselves and lose ourselves at the aforementioned time.
Francis Ford Coppola in a recent interview:
An essential chemical element of any art is adventure. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before? I always like to say that cinema without run a risk is similar having no sex and expecting to have a baby. You accept to take a risk.
André Gide in Poétique:
Art begins with resistance — at the indicate where resistance is overcome. No human masterpiece has ever been created without cracking labor.
Friedrich Nietzsche, made famous all over again by Ray Bradbury in Zen in the Art of Writing:
We have our Arts so we won't dice of Truth.
Michelangelo Pistoletto in Fine art'southward Responsibleness:
Above all, artists must not be only in art galleries or museums — they must exist present in all possible activities. The artist must be the sponsor of thought in any endeavor people take on, at every level.
Federico Fellini in a December 1965 piece in The Atlantic, non currently online:
All art is autobiographical; the pearl is the oyster'south autobiography.
Hugh MacLeod in Ignore Everybody: and 39 Other Keys to Inventiveness:
Fine art suffers the moment other people kickoff paying for it.
The Greek philosopher Aristophanes, writing in the 4th century B.C.:
Permit each man exercise the fine art he knows.
And, lastly, my own take in a contempo piece I wrote for the National Endowment for the Arts:
This is the power of art: The ability to transcend our own self-interest, our solipsistic zoom-lens on life, and relate to the world and each other with more integrity, more curiosity, more wholeheartedness.
Source: https://www.themarginalian.org/2012/06/22/what-is-art/
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